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Canonicity, Obscenity, and the Making of Modern Chaucer (COMMode): An Investigation of the Transmission and Audiences of The Canterbury Tales from 1700 to 2020
This project will recover the untold history of how Chaucer became both an icon of literary fame and an icon of obscenity.
DaSCH – Swiss National Data and Service Center for the Humanities
This project contains material about DaSCH and events organised by DaSCH. All documents are made available in the original language of the presentations.
Delille
NIE-INE outcome for the project `Reconstruire Delille' in relation to the scholarly `reverse' edition of the reception of the third canto of Jacques Delille's L'homme des champs.
Die Bilderfolgen der Basler Frühdrucke: Spätmittelalterliche Didaxe als Bild-Text-Lektüre
An art-scientific monograph of the richly illustrated early prints in Basel - the most important center of early letterpress printing in the territory of present-day Switzerland.
Digital Lexicon Iconographicum Mythologiae Classicae (Digital LIMC)
Digital LIMC contains what we know about the iconography of Greek, Etruscan and Roman mythology, both in ancient Greek, Etruscan and Roman art as well as in neighbouring Mediterranean cultures.
Education and the European Digital Agenda: Switzerland, Germany and Sweden after 1970
This database documents the educational implications of technological change in information and communication technologies (ICT) between 1970 and 2000, focusing on political initiatives in Europe.
Fagottini and tenoroons: small-sized bassoons from the 18th and 19th centuries
The organological and musicological aspects of small-sized bassoons from the 18th and 19th centuries were the focus of a research team in Basel from 2017–2023.
Fotoarchiv Kunsthalle Basel
Kunsthalle Basel is Switzerland’s oldest active art museum displaying contemporary art.
GLAUBENMACHENLASSEN
GLAUBENMACHENLASSEN is a visual anthropological and film ethnographic dissertation exploring identity in a cinematographic laboratory. Research period: 2009-2022.