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Le campane del Canton Ticino. Studio di un patrimonio materiale e immateriale
Ricerca interdisciplinare sulle campane del Canton Ticino, come oggetti storici, artistici e musicali ma anche come mezzi di comunicazione per le comunità, tramite specifici codici tradizionali.
Le scénario chez Alain Tanner : discours et pratiques. Une approche génétique du récit filmique et des représentations de genre
Ce projet étudie, dans une perspective narratologique/genre studies, la genèse des scénarios des films d’Alain Tanner, ainsi que les discours sur cette question tenus par le cinéaste.
Life Histories of Theban Tombs
LHTT focuses on a cluster of tombs in the Theban Necropolis (Egypt). It investigates the evolution of the hillside and explores the history of the tombs from early 2nd mill. BCE to 20th c. CE.
L’epistolario di Ugo Foscolo: catalogo
The catalogue of the Foscolo epistolary contains the data, metadata and images relating to the letters, documents, witnesses, holding institutions and editions of the letters.
MARK16
MARK16 is a SNSF PRIMA project. It reassesses the diverse endings of the Gospel of Mark through manuscript data, available on its Virtual Research Environment ISSN 2673-9836, https://mark16.sib.swiss.
Musiklexikon der Schweiz
Das MLS stellt fundierte Information über die AkteurInnen, Institutionen, Orte, Objekte und Phänomene zur Verfügung, die für die Musikgeschichte Schweiz über alle Sparten und Stile relevant sind.
Operative TV: Audiovisual Closed-Circuits from the Military to the Classroom, 1930s-1990s
The SNSF PRIMA project “Operative TV: Audiovisual Closed-Circuits from the Military to the Classroom, 1930s-1990s” studies the uses of TV in industrial, medical, educational and military contexts.
Photo Archive of the Cultural Anthropology Switzerland (CAS)
With its approximately 500,000 photo objects from across the world, the photo archive of the CAS fosters new approaches to the study and consumption of photographs.
Portraits of Unbelonging: Photography, the Ottoman State, and the making of Armenian emigrants 1896-1908
How do photography and statecraft intersect in the making and unmaking of citizens? How and why did photography become a new media for unmaking subjects in late 19th c Ottoman empire?