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Jacob Bernoulli's Scientific Notebook (Meditationes)
First complete digital edition of Jacob Bernoulli's 367-page scientific notebook (begun ca. 1676), a key source for the history of mathematics around 1700.
Life Histories of Theban Tombs
LHTT focuses on a cluster of tombs in the Theban Necropolis (Egypt). It investigates the evolution of the hillside and explores the history of the tombs from early 2nd mill. BCE to 20th c. CE.
Locus Ludi database: The Kottabos in the Greek World
This database aims to provide a benchmark by compilating all representations of kottabos in the Greek world, including descriptions, images and links to other reference databases.
L’epistolario di Ugo Foscolo: catalogo
The catalogue of the Foscolo epistolary contains the data, metadata and images relating to the letters, documents, witnesses, holding institutions and editions of the letters.
Martial Culture in Late Medieval Towns
The multifaceted martial culture of the late Medieval European town is sketched by this research project describing the ownership, handling, symbolism, use, and materiality of medieval weapons, and their cultural impact on urban society.
Musiklexikon der Schweiz
Das MLS stellt fundierte Information über die AkteurInnen, Institutionen, Orte, Objekte und Phänomene zur Verfügung, die für die Musikgeschichte Schweiz über alle Sparten und Stile relevant sind.
Operative TV: Audiovisual Closed-Circuits from the Military to the Classroom, 1930s-1990s
The SNSF PRIMA project “Operative TV: Audiovisual Closed-Circuits from the Military to the Classroom, 1930s-1990s” studies the uses of TV in industrial, medical, educational and military contexts.
Participation in Social Health Protection: An Anthropological Case Study in Tanzania
This project calls for a broad view of social health protection, comprising health care funding and people’s ubiquitous but less visible strife for participation in self-organized groups and networks.
Portraits of Unbelonging: Photography, the Ottoman State, and the making of Armenian emigrants 1896-1908
How do photography and statecraft intersect in the making and unmaking of citizens? How and why did photography become a new media for unmaking subjects in late 19th c Ottoman empire?