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Côté chaire, côté rue, La Réforme à Genève (1517-1617)
The database is the result of the transposition of a virtual exhibition realized in the context of the 500th anniversary of the Lutheran Reformation (1517).

DaSCH – Swiss National Data and Service Center for the Humanities
This project contains material about DaSCH and events organised by DaSCH. All documents are made available in the original language of the presentations.

Der späte Nietzsche. Digitale Edition der Druckdokumente
The digital edition project "Der späte Nietzsche" (The Late Nietzsche) publishes Friedrich Nietzsche's late estate digitally congruent to the manuscripts.

Der späte Nietzsche. Digitale Manuskriptedition
The digital edition project "Der späte Nietzsche" (The Late Nietzsche) publishes Friedrich Nietzsche's late estate digitally congruent to the manuscripts.

Digital Lexicon Iconographicum Mythologiae Classicae (Digital LIMC)
Digital LIMC contains what we know about the iconography of Greek, Etruscan and Roman mythology, both in ancient Greek, Etruscan and Roman art as well as in neighbouring Mediterranean cultures.

Drawings of gods: A Multicultural and Interdisciplinary Approach of Children’s Representations of Supernatural Agents
Fondé sur plusieurs centaines de dessins dans diverses régions du monde, ce projet étudie l’évolution de la représentation de Dieu ou d’autres êtres surnaturels chez des enfants et des adolescents.

Education and the European Digital Agenda: Switzerland, Germany and Sweden after 1970
This database documents the educational implications of technological change in information and communication technologies (ICT) between 1970 and 2000, focusing on political initiatives in Europe.

Fagottini and tenoroons: small-sized bassoons from the 18th and 19th centuries
The organological and musicological aspects of small-sized bassoons from the 18th and 19th centuries were the focus of a research team in Basel from 2017–2023.

GLAUBENMACHENLASSEN
GLAUBENMACHENLASSEN is a visual anthropological and film ethnographic dissertation exploring identity in a cinematographic laboratory. Research period: 2009-2022.